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Rusty Fords and Weatherboards

by Copperline

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    CD liner included in download.
    Purchasable with gift card

      $13 AUD  or more

     

  • Compact Disc (CD) + Digital Album

    CD in jewel case, with 12 page booklet containing lyrics and photos.

    Includes unlimited streaming of Rusty Fords and Weatherboards via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      $15 AUD or more 

     

  • T-Shirt/Apparel

    Here we have a ladies fit t-shirt with the Rusty Fords album cover art. The shirt is a high quality AS brand shirt which feels soft and luxurious on the skin.
    ships out within 3 days
    5 remaining

      $35 AUD or more 

     

  • T-Shirt/Apparel

    Here we have a ripper t-shirt with the Rusty Fords album cover art. This is a high quality super soft AS brand shirt.
    ships out within 3 days

      $35 AUD or more 

     

  • T-Shirt/Apparel

    A one-size-fits-all trucker cap sporting the Rusty Fords album cover art.
    ships out within 3 days

      $20 AUD or more 

     

  • T-Shirt/Apparel

    Choose either the mens or ladies Rusty Fords album cover art t-shirt, along with a CD copy of the album. These are high quality super soft AS brand shirts.
    ships out within 3 days

      $45 AUD or more 

     

  • T-Shirt/Apparel

    Buy the Rusty Fords and Weatherboards CD and the Trucker Cap together.
    ships out within 3 days

      $30 AUD or more 

     

1.
A sorry sight by Friday night I dine alone at home Swigging from the bottle licking grease from Styrofoam No colours keep it warm in here nothing gets locked away No curtains drawn to separate the night time for the day There’s no photographs to document the company I keep No gentle arms to fall in to and roll me off to sleep No flowers on the table I don’t entertain that much This place could use a woman’s touch I tried to write a sad song for you on an old phone bill A verse and half a chorus I left on the window Under coffee dregs and cold fried eggs and dirty dinner plates Unmade beds and things unsaid too little and too late There’s no photographs to document the company I keep No gentle arms to fall in to and roll me off to sleep No flowers on the table I don’t entertain that much This place could use a woman’s touch I miss you like a salty breeze on January nights When everything is quiet and I turn off all the lights I’m chasing sleep right through to dawn with red wine lullabies There’s nicotine all through my dreams and sand all through my eyes There’s no photographs to document the company I keep No gentle arms to fall in to and roll me off to sleep No flowers on the table I don’t entertain that much This place could use a woman’s touch
2.
He works down at the dog track Where they give him bed and board Ten minutes from the Waratah Hotel In a broken, borrowed Ford He’s backs a couple of winners But he’s seen more come in fourth Now the credit lines have all dried up And he can’t travel North His family sang a country song that made the radio He travelled up to Tamworth and he played his first show How the guitars sang and jangled, how the lights they shined and glowed He gave his heart to Hank and Cash, quit school and hit the road He’s the king of this country And it’s a one night only deal Putting it on the line for Free drinks and a counter meal King of this country He’s got to make it pay Before tomorrow takes it all away He still puts pen to paper But the gold is hard to find And fashion has a funny old way Of leaving folks behind Friday afternoon at five, the bars begin to fill They drown themselves in happy hours, get swept up in the swill He sets up in the corner of this slowly dying town A Friday night moonlighter in a black suede leather crown He’s the king of this country And it’s a one night only deal Putting it on the line for Free drinks and a counter meal King of this country He’s got to make it pay Before tomorrow takes it all away With a roll up Jolly Roger and a cold black glass of old He’ll be here all night while there’s still stories to be told He’ll strum this bruised guitar until the strings are all stained red For the ghosts that walk these empty streets, the living and the dead He’s the king of this country And it’s a one night only deal Putting it on the line for Free drinks and a counter meal King of this country He’s got to make it pay Before tomorrow takes it all away
3.
Next Year 04:31
It’s come and gone just like a tide Another long hard year Busted seams downsized dreams And grinding all my gears It takes a little more each time Of our future and our youth Steals away the halcyon days That blind us from the truth The days are getting warmer as The jacaranda blooms A southern sun turns our skin to bronze And pierces through the gloom We’ll finish on a Friday night I’ll be waiting in the car Leave out worries to next year as the tyres hit the tar I want to drive right through the night See the break of day Wind the windows down and watch The white lines lead the way Want to leave it all behind Watch it disappear Find a reason to believe in next year Take me to a sleepy town Where summer never ends Let the salt wash clean my skin So broken thoughts can mend Watch the sunrise paint the day Sleep through the afternoon Count the stars that fill the sky Make love beneath the moon I want to drive right through the night See the break of day Wind the windows down and watch The white lines lead the way Want to leave it all behind Watch it disappear Find a reason to believe in next year The rusty Fords and weatherboards Carry me away I’ve been dreaming since July About caravans on Boxing Day I want to drive right through the night See the break of day Wind the windows down and watch The white lines lead the way Want to leave it all behind Watch it disappear Find a reason to believe in next year
4.
Like the Princess she lies with her boys by her side Dreaming of sunlight and sand on her feet A weatherboard house, warm garden bed Sound of the rain washing down on her street The rainbows that guide us, and the rivers that bind us Whispering sea breeze across the sand flats Her story is told, by the young and the old But these words can’t define her She’s much more than Jesus lay with her and carried her cross He eased her burden and lightened her loss A spectrum of colour in the sky up above Showed the angel receiving this child wrapped in love The rainbows that guide us, and the rivers that bind us Whispering sea breeze across the sand flats Her story is told by the young and the old But these words can’t define her She’s much more than Blackbird stand guard in the trees by her bed Guarding the secrets that still lie in her head Sinners amongst them they can’t hide from their guilt The days grows older the memory shall wilt The rainbows that guide us, and the rivers that bind us Whispering sea breeze across the sand flats Her story is told by the young and the old But these words can’t define her She’s much more than
5.
We’ll wait till the footy’s over Before we start the show So the people in jeans at the poker machines Can burn through all of their dough We’ll play a couple of songs we wrote While you’re all still sober But when the dance floor’s pumping and the people are jumping We’ll play Livin’ La Vida Loca Just wait till this song is over Before you make a request We’ve played Khe Sahn three times But we can play it again I guess We know all your favourite tunes We can give you what you need And we’re only two drinks away from satisfaction guaranteed There’s a middle-aged man with a fool-proof plan To pull a girl half his age And I’m sure your friend’s got a beautiful voice But there’s not enough room on the stage There’s a hen’s night stumbling and slurring their words In short skirts and plastic tiaras And all the yummy mummies showing off their tight tummies And way too much mascara Just wait till this song is over Before you make a request We’ve played Khe Sahn three times But we can play it again I guess We know all your favourite tunes We can give you what you need And we’re only two drinks away from satisfaction guaranteed Now it’s getting kind of messy people tripping on air And falling to the floor There’s a man throwing punches at a snack machine And a drunk talking to a door Last night’s gone and tomorrow has come It’s time for us to call it night But I’m sure we’ve got time for one more Before the barman throws on the lights Just wait till this song is over Before you make a request We’ve played Khe Sahn three times But we can play it again I guess We know all your favourite tunes We can give you what you need And we’re only two drinks away from satisfaction guaranteed
6.
Please don’t cry my darling child Please don’t cry for me You know it’s not your fault that I had to walk away I did it ‘cause I wanted you to be free I can imagine all the things your mother said about me And all the things I never did for you Some of them I’m sure are exaggerated lies But most of them are probably true I’m sitting in a room with four walls and a bed Some pills and things to keep me off the drink Three square meals a day is all to pass the time away Nothing else to do but sit and think Please don’t cry my darling child Please don’t cry for me You know it’s not your fault that I had to walk away I did it ‘cause I wanted you to be free Looking at your photograph on graduation day As a double shot of whiskey calls my name The ticket for the bus is still sitting by the phone In the end I couldn’t face the shame Please don’t cry my darling child Please don’t cry for me You know it’s not your fault that I had to walk away I did it ‘cause I wanted you to be free You probably never ever want to know me I can’t blame you if you feel that way But that will never ever stop me hoping and praying I’ll see you again some day Please don’t cry my darling child Please don’t cry for me You know it’s not your fault that I had to walk away I did it ‘cause I wanted you to be free Now I wish to hell that I hadn’t walked away
7.
If you’re not doing anything next Tuesday night There’s a little pub in the city will have our name up in lights Down at the Hopetoun first Tuesday in July We’ll probably go on ‘ bout a quarter past ten If the seven band on before us have all finished by then Down at the Hopetoun first Tuesday in July Big, big dreams have got to start somewhere But by the time we go on I’ll be way too drunk to care It’s a long way to the top down this highway to hell When you start your journey here at the Hopetoun Hotel Street corner blues men and born again hippies Teeny bopping emos wearing makeup and black lippy Down at the Hopetoun first Tuesday in July There’ll be a feminist songstress singing way off key About all the things she hates about patriarchy Down at the Hopetoun first Tuesday in July Ten dollar steaks and two dollar beers Ain’t cheap enough to bring anybody here Two free drinks for everyone in the band Drink up boys tonight there’ll be no cash in hand The only one left in the room is the sound engineer He doesn’t count ‘cause he can’t really hear Down at the Hopetoun first Tuesday in July Big, big dreams have got to start somewhere But by the time we go on I’ll be way too drunk to care It’s a long way to the top down this highway to hell When you start your journey here at the Hopetoun Hotel
8.
You watch your life from a distance Just an image on a screen You sit back in a comfortable place And muse over what it all means Desperately original I’ve seen it done before And your second hand sincerity Is making you a bore But as the years pass you by Tell me how does it feel? To sit back and watch someone else Always behind the wheel Looking back on all the years Blinded by these bitter tears You were always playing to the wind Always someone else to blame For the things you never do The cynicism that you once wore well Has come to define you Now confidence evades you Opportunity passes by And indecision took the time away With a thousand hows and whys But as the years pass you by Tell me how does it feel? To sit back and watch someone else Always behind the wheel Looking back on all the years Blinded by these bitter tears You were always playing to the wind Listen now your bell it tolls Stand up and show us your soul Today could be the day it all begins As the curtain draws on you Your makeup starts to run Will you still tell yourself That you had your fun When all of your excuses Won’t buy back yesterday Will you just turn and watch Tomorrow fade away But as the years pass you by Tell me how does it feel? To sit back and watch someone else Always behind the wheel Looking back on all the years Blinded by these bitter tears You were always playing to the wind Listen now your bell it tolls Stand up and show us your soul Today could be the day it all begins
9.
Matt Hollywood you smiled at me Two entertainers shooting the breeze I’m pretty sure you smiled at me Was hard to tell through the glare of your teeth Your act was great the folks were stunned And your face had a platinum sheen The way you made that cigarette disappear It was like something I had never seen Matt Hollywood you smiled at me Matt Hollywood you smiled at me When he’s talking to you he makes you feel Like the only one in the room With tales of wonder from the Taj Mahal Where his magic tricks go boom Never wanted to be like anyone else That wasn’t in his style But Matt Hollywood knows how to work a room When he fixes you, or is it her, With that hundred mile smile Where do you go Matt Hollywood When you’re alone in your bed Would I be scared Matt Hollywood If I could see inside your head Have you ever told anyone, anything That wasn’t exactly what they wanted to hear Or have you done this gig so many times That Matt Hollywood has just disappeared Matt Hollywood you smiled at me Matt Hollywood you smiled at me When he’s talking to you he makes you feel Like he's the only one in the room With tales of wonder from the Taj Mahal Where his magic tricks go boom Never wanted to be like anyone else That wasn’t in his style But Matt Hollywood knows how to work a room When he fixes you, or is it her, With that hundred mile smile
10.
I’ve got 444 Facebook Friends A feed that’s full of posts and posts that never seems to end I can’t take it anymore I’ve got the social network blues I’ve got 43 reminders to connect on LinkedIn Snapchat, spam and Instagram it makes my head spin I can’t take it anymore I’ve got the social network blues I just can’t work out why I spend so much of my day Reading all this crap from people who have absolutely nothing to say Billy is bored in a corporate meeting For some unknown reason he thinks that’s worth tweeting I can’t take it anymore I’ve got the social network blues There’s an emoticon frown from my friend Rick ‘Cause I haven’t found the time to like his doggy pics I can’t take it anymore I’ve got the social network blues LOL ROFL LMFAO I don’t care for all your stupid acronyms you know I can’t take it anymore I’ve got the social network blues I just can’t work out why I spend so much of my day Reading all this crap from people who have absolutely nothing to say There’s a little truth that’s getting hard to ignore Your face on MySpace is becoming a bore I can’t take it anymore I’ve got the social network blues

about

Copperline is a Sydney-based collaboration between fellow travellers
and troubadours Brad Christmas (vocals, guitar, piano), Richie Gosling (bass, guitar, vocals), Paul Handel (guitar, vocals) and Gareth Richards (Drums).

Rusty Fords and Weatherboards, produced by Shane Nicholson, may be the group’s debut album, but Copperline have more decades under their collective belts than they care to count plying their musical trade in low-lit bars, far-flung pubs, corrugated sheds, and even on the back of an occasional flat bed truck. During this long apprenticeship they have honed their unique brand of storytelling and song smithery, and are ready to share it with the world.

It’s the highways and byways travelled on this meandering musical journey, and the characters met along the way, that provide the beating narrative heart of Rusty Fords and Weatherboards. The album’s ten tracks follow an eccentric cast of struggling artists, single fathers, fading stars – even a professional magician – all coping with longing and loss and looking for hope and redemption. The stories are at times humorous and heartfelt, but never stray from being unflinchingly human.

With a reverence for the craft of song writing, Copperline doff their caps to Neil Young, Tom Waits, Lucinda Williams and Steve Earle, while charting a narrative and sonic course all of their own. There’s an unapologetic commitment to twang here, and one foot rooted in the delta blues. But there’s also a desire to explore the boundaries of song and the wild frontiers where genres and traditions intertwine.

With the release of Rusty Fords and Weatherboards, Copperline are champing at the bit to get back to what they do best: hitting the road and sharing these songs with friends, new and old. They hope to see you out there somewhere.

credits

released November 1, 2018

Brad Christmas (vocals, guitar, piano)
Richie Gosling (bass, guitar, vocals)
Paul Handel (guitar, vocals)
Gareth Richards (Drums)

Producer - Shane Nicholson

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about

Copperline Sydney, Australia

Take some disarmingly honest and heartworn storytelling, flavour it with generous lashings of twang and gritty rock and you get Copperline. The Sydney/Blue Mountains alt-country four-piece have lived and breathed the highs and lows of the rock and low life – and that experience can’t help but find its way into their music. ... more

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